1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:10,011 --> 00:00:12,013 What can I tell you? 4 00:00:12,180 --> 00:00:15,350 From his birth until he was 10 or so, 5 00:00:15,517 --> 00:00:18,019 my son loved puppets. 6 00:00:18,186 --> 00:00:22,023 He loved putting on shows for his friends. 7 00:00:22,148 --> 00:00:25,026 I'd buy him the puppet heads, 8 00:00:25,151 --> 00:00:30,949 and like a tailor he'd stitch costumes for them. 9 00:00:31,074 --> 00:00:33,535 Then I bought him a little puppet theater, 10 00:00:33,702 --> 00:00:36,996 which he put out on our big terrace, 11 00:00:37,122 --> 00:00:40,250 and there he'd put on puppet shows 12 00:00:40,375 --> 00:00:44,421 for his schoolmates and playmates. 13 00:00:44,546 --> 00:00:48,049 He charged each one a penny. 14 00:00:49,426 --> 00:00:50,885 Camera! 15 00:00:59,185 --> 00:01:01,354 Look my hand. Go Martino. 16 00:01:01,479 --> 00:01:03,398 Come on, Menicuccio. 17 00:02:28,650 --> 00:02:30,693 - How was that? - Good. 18 00:02:31,653 --> 00:02:35,198 Good. Let's do one with the — 19 00:02:37,617 --> 00:02:39,327 Camera! 20 00:05:20,822 --> 00:05:23,700 Close your lips, as if they're chapped. 21 00:05:25,910 --> 00:05:29,163 Touch your lips. Close your mouth, Pasqualino. 22 00:05:29,330 --> 00:05:32,000 Do that now and then. 23 00:05:32,875 --> 00:05:34,836 One... two... three. 24 00:05:35,003 --> 00:05:38,464 Breathe. Close your lips. 25 00:05:38,923 --> 00:05:41,050 Tighter. 26 00:05:41,342 --> 00:05:43,845 Raise your arm. 27 00:05:44,012 --> 00:05:46,514 Open your eyes. 28 00:05:46,639 --> 00:05:48,891 Look at me, Pasqualino! 29 00:05:53,396 --> 00:05:56,482 - Did you get it? - One last take. 30 00:05:56,691 --> 00:05:58,526 Ready. 31 00:07:29,700 --> 00:07:33,162 I told you: Don't just wave your arms. 32 00:07:33,287 --> 00:07:36,124 Turn in circles. 33 00:07:36,457 --> 00:07:39,001 Turn in circles as you come down. 34 00:07:48,719 --> 00:07:50,304 Camera! 35 00:07:51,764 --> 00:07:54,767 As wild and crazy as possible! 36 00:07:54,892 --> 00:07:58,312 Like there's electricity running through you! 37 00:07:58,479 --> 00:08:01,315 Wave your arms! Kick your legs! 38 00:08:03,693 --> 00:08:05,987 Ready. 39 00:08:09,740 --> 00:08:11,242 Go, Enzo! 40 00:08:59,749 --> 00:09:02,043 Where's Ferretti? 41 00:09:10,218 --> 00:09:13,346 Come here, quick. I want to show you this. 42 00:09:35,243 --> 00:09:37,245 Here too, Ferretti. 43 00:09:38,246 --> 00:09:41,832 This is a bunch of crap! 44 00:09:41,958 --> 00:09:45,044 There's no love for things! 45 00:09:46,754 --> 00:09:51,592 He didn't come to check. He doesn't give a crap. 46 00:09:51,926 --> 00:09:54,178 That's what makes me so angry — 47 00:09:54,303 --> 00:09:58,766 the lack of any sense of responsibility 48 00:09:59,141 --> 00:10:01,936 or collaboration. 49 00:10:07,817 --> 00:10:09,902 He should be ashamed. 50 00:10:11,904 --> 00:10:14,365 He should be ashamed. 51 00:10:15,658 --> 00:10:17,952 And you can tell him so! 52 00:10:18,619 --> 00:10:21,622 "Federico said you should be ashamed!" 53 00:10:31,757 --> 00:10:35,845 A complete lack of interest, his couldn't-give-a-shit attitude. 54 00:10:35,970 --> 00:10:37,930 I don't get it. 55 00:10:38,055 --> 00:10:43,060 Even on the crappiest films, I've never seen — 56 00:10:46,814 --> 00:10:49,108 Never! 57 00:10:53,696 --> 00:10:56,782 What's so funny? I'm not mad at you. 58 00:10:56,907 --> 00:10:59,327 A guy's balls 59 00:10:59,493 --> 00:11:02,455 can only swell up so far before they explode! 60 00:11:03,080 --> 00:11:05,708 What the fuck are you filming? 61 00:11:29,982 --> 00:11:33,861 It all ends up causing huge delays. 62 00:11:34,528 --> 00:11:37,531 What happens is... 63 00:11:37,990 --> 00:11:41,202 when I go to shoot, I have to say, "Hold it! 64 00:11:41,327 --> 00:11:43,996 Add that. Take that away. Nail that down..." 65 00:14:55,020 --> 00:14:56,981 When they come forward, 66 00:14:57,106 --> 00:14:59,275 you step out of the way. 67 00:14:59,567 --> 00:15:01,277 Go on. 68 00:15:05,739 --> 00:15:07,533 Then you follow. 69 00:15:08,909 --> 00:15:11,245 That's far enough. 70 00:15:11,996 --> 00:15:16,458 It's a long shot, sweetheart. - But I want to do it right! 71 00:15:16,584 --> 00:15:18,460 And I want you to. 72 00:15:18,586 --> 00:15:21,338 You don't give me enough time to say... 73 00:15:21,463 --> 00:15:23,841 "Step forward." 74 00:15:23,966 --> 00:15:26,427 Show me how long it takes. 75 00:15:39,815 --> 00:15:43,027 Since I can't hear a friggin' thing from there, 76 00:15:43,152 --> 00:15:45,404 when you say, "Step... matrimony"... 77 00:15:45,529 --> 00:15:48,866 look at me as if you're looking at Martino, 78 00:15:48,991 --> 00:15:51,285 then turn and say... 79 00:15:53,996 --> 00:15:56,373 So when do you look at me? 80 00:15:56,498 --> 00:15:58,959 Before I say, "Step forward." 81 00:15:59,251 --> 00:16:01,128 Then I call Alain. 82 00:16:01,295 --> 00:16:03,547 "The gods approve of this union." 83 00:16:03,672 --> 00:16:06,008 I look at you. 84 00:16:06,133 --> 00:16:09,136 No, you look at Martin. 85 00:16:09,303 --> 00:16:10,929 Then I call Alain. 86 00:16:11,055 --> 00:16:13,307 Then you say the rest and come here. 87 00:16:13,474 --> 00:16:15,184 Again. 88 00:16:15,309 --> 00:16:17,311 Valdemaro, I told you: 89 00:16:17,478 --> 00:16:19,438 Wave your arms, shout, jump around! 90 00:16:19,647 --> 00:16:21,023 Camera! 91 00:16:29,448 --> 00:16:31,241 Where's the vet? 92 00:16:31,367 --> 00:16:33,452 That cow keeps moving. 93 00:16:43,796 --> 00:16:45,839 I understand, but in a film... 94 00:16:49,510 --> 00:16:53,055 You're giving me medical technicalities. 95 00:16:53,389 --> 00:16:57,518 If they've split its head or slit its throat — 96 00:16:58,602 --> 00:17:00,688 In real life, sure, 97 00:17:00,813 --> 00:17:05,067 but in a film, if it keeps moving, it looks like — 98 00:17:07,736 --> 00:17:09,738 It is still moving? 99 00:17:09,988 --> 00:17:12,366 It would have postmortem contractions 100 00:17:12,491 --> 00:17:14,868 even if you cut its veins. 101 00:17:19,665 --> 00:17:23,961 The ancient Romans didn't shoot cows in the head. 102 00:17:24,086 --> 00:17:27,047 So the animal would have contractions and fall down. 103 00:17:27,172 --> 00:17:30,426 They'd slit its throat, and the contractions would continue. 104 00:17:35,222 --> 00:17:37,391 Go on, Cynthia. 105 00:17:39,685 --> 00:17:42,479 Turn around, Cynthia! 106 00:17:43,439 --> 00:17:45,232 Up your ass! 107 00:17:45,357 --> 00:17:48,235 Go back to your place! We rehearsed it 20 times! 108 00:17:48,360 --> 00:17:50,487 How can you be so stupid? 109 00:18:13,051 --> 00:18:16,597 We say that in Rome affectionately. 110 00:18:16,764 --> 00:18:20,267 It's not affectionate. It's really bad. 111 00:18:20,392 --> 00:18:23,145 Especially talking to a girl. 112 00:18:24,188 --> 00:18:26,774 A man shouldn't — 113 00:18:26,899 --> 00:18:29,985 I'm sorry. I was on edge. 114 00:18:30,110 --> 00:18:32,613 It was all going well, then you messed up. 115 00:18:41,497 --> 00:18:43,290 It just slipped out. 116 00:18:55,511 --> 00:18:58,764 - Show me the picture. - You won't tear it up? 117 00:18:58,889 --> 00:19:01,308 I look awful! 118 00:19:01,809 --> 00:19:03,977 We'll take another one. 119 00:19:04,520 --> 00:19:05,896 Let me see it. 120 00:19:06,021 --> 00:19:07,648 Don't tear it up. 121 00:19:07,773 --> 00:19:09,191 You promised. 122 00:19:10,484 --> 00:19:12,945 You're awful! 123 00:19:13,070 --> 00:19:16,198 It was a bad picture of me! 124 00:19:17,533 --> 00:19:20,577 You don't keep your promises. 125 00:19:20,702 --> 00:19:25,165 Why keep a picture where I look like a 75-year-old in a toupee? 126 00:19:56,238 --> 00:19:58,240 I'm very shy. 127 00:19:58,448 --> 00:20:01,243 Timida? I'm timid too. 128 00:20:01,368 --> 00:20:02,953 I'm very timid. 129 00:20:03,078 --> 00:20:04,746 Me too. 130 00:20:31,148 --> 00:20:33,567 - How are you? - Fine, thanks. 131 00:20:53,837 --> 00:20:55,923 Tell me now. 132 00:20:56,048 --> 00:20:59,760 You told me very vaguely what to do, 133 00:20:59,885 --> 00:21:01,762 and I did it. 134 00:21:01,887 --> 00:21:03,639 I was just kidding. 135 00:21:04,765 --> 00:21:07,184 I changed my mind. - Sure, later... 136 00:21:07,309 --> 00:21:10,020 but at first you said nothing. I never know! 137 00:21:10,145 --> 00:21:13,148 Sweetheart, it was a long shot. 138 00:21:13,315 --> 00:21:16,485 Then you tell me, "Look at them." 139 00:21:16,610 --> 00:21:18,654 A man can change his mind. 140 00:21:18,779 --> 00:21:20,614 I know, darling... 141 00:21:20,739 --> 00:21:23,075 but I'm very delicate. 142 00:21:23,200 --> 00:21:26,328 Don't I treat you delicately? 143 00:21:26,453 --> 00:21:28,455 Sure, real delicately! 144 00:21:28,580 --> 00:21:31,124 - You see this guy? - Did I do it right? 145 00:21:31,291 --> 00:21:33,126 You were great! 146 00:21:33,251 --> 00:21:35,837 Otherwise we'd reshoot it. 147 00:21:36,296 --> 00:21:40,008 Because now I'm nerv— 148 00:21:40,384 --> 00:21:41,969 You're what? 149 00:21:46,640 --> 00:21:48,517 Poor thing. 150 00:28:46,726 --> 00:28:49,229 After three months that you are in Satyricon... 151 00:28:49,354 --> 00:28:51,564 you still eat like... 152 00:28:52,065 --> 00:28:54,901 a very well-educated British! 153 00:28:57,237 --> 00:29:01,950 I'll say a few words of this made-up Greek — 154 00:29:02,492 --> 00:29:06,329 Should I speak faster? 155 00:29:06,579 --> 00:29:09,582 Yes, and anticipate their delivery, 156 00:29:09,707 --> 00:29:13,545 because you know this Greek tragedy very well, 157 00:29:13,670 --> 00:29:16,089 so you anticipate their words. 158 00:29:16,214 --> 00:29:19,217 Since I made them all up myself! 159 00:29:35,108 --> 00:29:37,152 Here come the actors. 160 00:30:07,140 --> 00:30:09,809 Look up transfixed... 161 00:30:09,934 --> 00:30:13,646 with a smile of admiration for poetry and art. 162 00:30:16,608 --> 00:30:18,943 Hold it there, Salvo. 163 00:30:19,777 --> 00:30:21,779 Clowns! 164 00:30:26,868 --> 00:30:29,996 Then you turn to the wall... 165 00:30:32,290 --> 00:30:36,294 "White, red, yellow, green..." 166 00:30:36,419 --> 00:30:40,173 And as you're speaking, 167 00:30:40,298 --> 00:30:44,552 "White, red, green..." — you keep going. 168 00:30:44,677 --> 00:30:47,889 - Before they throw stuff? - No, when stuff starts flying. 169 00:30:48,014 --> 00:30:50,892 Put it over your head, but keep talking. 170 00:30:51,601 --> 00:30:54,020 You'll tell me when? 171 00:30:54,187 --> 00:30:57,732 Yes, I'll tell you when it goes on and comes off. 172 00:30:57,857 --> 00:31:00,693 When you take it off, 173 00:31:00,818 --> 00:31:03,530 it's to insult them. 174 00:31:03,696 --> 00:31:06,366 "Pigs! Bastards!" 175 00:31:06,533 --> 00:31:08,618 Anything you want. 176 00:31:08,743 --> 00:31:10,745 "Shitheads!" 177 00:31:10,870 --> 00:31:14,832 Yes, that's better than continuing to recite the verses. 178 00:31:14,958 --> 00:31:18,294 Then, after that, say another verse or two. 179 00:31:18,419 --> 00:31:20,880 And when the stuff really starts flying — 180 00:31:21,047 --> 00:31:23,049 Let's give it a try. 181 00:31:23,174 --> 00:31:26,010 It'll make it lively and boisterous. 182 00:31:33,560 --> 00:31:34,852 Wait! 183 00:31:34,978 --> 00:31:36,938 Remo, get out of there. 184 00:31:37,063 --> 00:31:38,856 Salvo, action! 185 00:31:39,524 --> 00:31:42,110 Where are you taking that? 186 00:31:42,694 --> 00:31:45,738 Stop! What the fuck is he doing? 187 00:31:46,990 --> 00:31:48,658 Clear out! 188 00:31:48,866 --> 00:31:50,785 Light the smoke pot. 189 00:31:57,667 --> 00:31:59,460 Action! 190 00:32:23,318 --> 00:32:24,777 Faster. 191 00:32:55,975 --> 00:32:57,977 That's enough smoke. 192 00:33:09,489 --> 00:33:11,324 Take it off! 193 00:33:45,024 --> 00:33:47,235 I'm a poet, a great poet! 194 00:33:47,360 --> 00:33:50,029 You're all dickheads! 195 00:33:55,868 --> 00:33:59,330 Clowns! 196 00:34:08,423 --> 00:34:10,758 Cover up! Laugh, people! 197 00:34:10,883 --> 00:34:13,553 Queer! You old bum! 198 00:34:13,970 --> 00:34:16,013 You old faggot! 199 00:34:33,406 --> 00:34:36,033 Hold it there a moment. 200 00:34:48,337 --> 00:34:50,381 Okay. 201 00:34:53,092 --> 00:34:55,428 What the fuck are you doing? 202 00:34:55,595 --> 00:34:58,556 I said to shout and jump around! 203 00:34:58,681 --> 00:35:01,267 You stand there like sheep! 204 00:35:03,644 --> 00:35:07,315 Don't move. Just your head. 205 00:35:07,440 --> 00:35:09,734 - I understand. - But you don't do it! 206 00:35:09,859 --> 00:35:12,612 Don't rock forward and back. 207 00:35:24,415 --> 00:35:26,042 Let's try it again. 208 00:35:27,001 --> 00:35:30,588 I told you two to jump. Why don't you do it? 209 00:35:30,713 --> 00:35:33,299 Jump as high as you can! 210 00:35:51,400 --> 00:35:53,528 Once more. 211 00:36:00,117 --> 00:36:02,286 Wait for the music. 212 00:36:04,330 --> 00:36:06,165 Action! 213 00:36:13,881 --> 00:36:16,676 Hold it, Jessica. 214 00:36:17,176 --> 00:36:19,053 Lie down. 215 00:36:19,387 --> 00:36:22,640 Lie down. 216 00:36:24,433 --> 00:36:27,353 You come here and then here. 217 00:36:27,854 --> 00:36:29,647 Wait a second. 218 00:36:30,857 --> 00:36:32,900 Mark that with chalk. 219 00:36:39,866 --> 00:36:43,619 Hold on. She's still over there! 220 00:36:43,870 --> 00:36:45,705 Together! 221 00:36:45,872 --> 00:36:48,624 Sorry, Jessica. From the top. 222 00:36:52,545 --> 00:36:55,047 Go on. 223 00:36:57,466 --> 00:36:59,510 Quick, Jessica. 224 00:37:00,803 --> 00:37:03,014 Start moving in. 225 00:37:07,101 --> 00:37:09,228 What the hell kind of dance is that? 226 00:37:09,353 --> 00:37:10,980 Then you sit down. 227 00:37:12,064 --> 00:37:13,983 Magali, go on. 228 00:37:23,409 --> 00:37:26,370 Down, Jessica. Don't wet your pants. 229 00:37:26,495 --> 00:37:28,331 Stop there. 230 00:37:46,849 --> 00:37:48,976 Last one and then we're done. 231 00:37:54,523 --> 00:37:56,567 You want to rest? 232 00:37:56,776 --> 00:37:59,862 - What's wrong? - This thing is — 233 00:38:00,321 --> 00:38:04,951 If you do it here, you're hidden behind this thing. 234 00:38:05,534 --> 00:38:07,745 Do it over here. 235 00:38:07,870 --> 00:38:10,289 Another take. 236 00:38:12,667 --> 00:38:14,502 Lights. 237 00:38:17,880 --> 00:38:19,632 Dance! 238 00:38:35,106 --> 00:38:39,652 Now you look like you're fighting with them. 239 00:38:42,446 --> 00:38:44,573 Start dancing here, 240 00:38:44,699 --> 00:38:47,910 or it looks like you're trying to escape. 241 00:38:48,244 --> 00:38:51,789 Fine, but when you get here, start dancing. 242 00:38:53,040 --> 00:38:55,167 Okay? Places. 243 00:38:59,338 --> 00:39:02,008 Dance, Fortunata! 244 00:40:19,835 --> 00:40:21,754 Was it all right? 245 00:42:25,502 --> 00:42:29,089 What the fuck are you filming? 246 00:42:29,506 --> 00:42:32,009 What's the point? 247 00:42:39,558 --> 00:42:43,729 I can't give one person two per diems. 248 00:42:46,148 --> 00:42:48,943 I don't care what he says. 249 00:48:19,231 --> 00:48:22,901 Impotent! 250 00:48:49,720 --> 00:48:51,597 Less dust! 251 00:48:51,763 --> 00:48:55,767 Not in their faces! That's where it's all going. 252 00:49:00,105 --> 00:49:03,734 Lisona's lovely breasts! 253 00:49:04,067 --> 00:49:07,029 You remember when we would make love? 254 00:49:13,744 --> 00:49:17,706 I can't give one person two per diems. 255 00:49:18,290 --> 00:49:21,126 Gideon, you want to film this? 256 00:49:21,251 --> 00:49:24,338 Do you mind, Mr. Valli? Romolo! 257 00:49:24,546 --> 00:49:26,256 Feel that belly! 258 00:49:26,381 --> 00:49:30,594 It all goes to my waist. You're so thin. 259 00:49:30,719 --> 00:49:33,096 They're filming for American TV. 260 00:49:33,221 --> 00:49:36,600 Let's face the camera. This is my bad profile. 261 00:49:37,768 --> 00:49:39,936 You know we love you 262 00:49:40,062 --> 00:49:43,106 for everything you say and do. 263 00:49:43,273 --> 00:49:47,694 Even when interviewers are hostile and out to get you, 264 00:49:47,819 --> 00:49:49,821 something nice still comes out of it. 265 00:49:49,988 --> 00:49:52,741 They're all very pleasant. 266 00:49:53,075 --> 00:49:55,035 I'll tell you why later. 267 00:49:55,661 --> 00:49:59,331 What's all this? Still that big film of yours? 268 00:49:59,498 --> 00:50:01,500 You know Gideon Bachmann? 269 00:50:04,503 --> 00:50:07,506 Look at the one filming the other! 270 00:50:08,006 --> 00:50:10,008 Is this for Satyricon? 271 00:50:11,802 --> 00:50:13,804 Gideon, how should I introduce you? 272 00:50:13,929 --> 00:50:17,015 From the Breaking Balls Corporation. 273 00:50:18,016 --> 00:50:20,435 You should move over there now 274 00:50:20,560 --> 00:50:23,271 or you'll be in the way. 275 00:50:23,397 --> 00:50:26,400 Enrico Wertmüller sends regards. 276 00:50:26,525 --> 00:50:28,318 Ah, how is he? 277 00:50:28,443 --> 00:50:30,529 Great pictures, Tazio. 278 00:50:30,654 --> 00:50:33,407 You get better and better, you son of a gun. 279 00:50:33,532 --> 00:50:36,368 I brought this Spanish magazine. 280 00:50:37,285 --> 00:50:38,787 What's it called? 281 00:50:38,912 --> 00:50:40,539 Triunfo. 282 00:50:40,706 --> 00:50:43,709 May I tell you something with all my heart? 283 00:50:43,834 --> 00:50:45,877 Up your ass! 284 00:51:27,294 --> 00:51:28,754 Ready? 285 00:51:54,446 --> 00:51:57,199 Elisa, push him away. 286 00:51:59,451 --> 00:52:02,037 Push him away. Action up there. 287 00:52:47,999 --> 00:52:50,627 Do as I say or I'll let you have it. 288 00:52:50,752 --> 00:52:54,256 Move your body as if you're coming. 289 00:52:54,381 --> 00:52:57,843 Bear with me. Open your legs. 290 00:52:57,968 --> 00:53:00,470 Be nice. 291 00:53:00,595 --> 00:53:03,098 Let me try again. 292 00:53:03,348 --> 00:53:06,393 Now you say, "What's between your legs? 293 00:53:06,518 --> 00:53:08,854 A pickled eel?" 294 00:53:11,398 --> 00:53:13,608 Effects! 295 00:53:13,859 --> 00:53:16,987 What the fuck are you waiting for? 296 00:53:17,195 --> 00:53:20,198 Gideon, stop busting my balls! 297 00:53:21,074 --> 00:53:23,660 Ready... effects. 298 00:53:23,785 --> 00:53:26,746 Action back there! Shout! 299 00:53:28,081 --> 00:53:30,375 Rosina, move your head! 300 00:53:30,542 --> 00:53:33,712 Felix, out of the way. 301 00:53:33,837 --> 00:53:35,297 Elisa, get up! 302 00:53:39,259 --> 00:53:40,886 Kick him! 303 00:53:42,304 --> 00:53:44,139 Rosina, go on. 304 00:53:44,848 --> 00:53:47,684 Roberto and Alfredo! 305 00:53:49,936 --> 00:53:51,688 Augusto! 306 00:53:53,732 --> 00:53:55,734 Roberto, go away! 307 00:54:06,536 --> 00:54:08,121 An artist... 308 00:54:08,246 --> 00:54:11,750 as long as he's fully absorbed in his creativity, 309 00:54:11,917 --> 00:54:14,920 in that dimension 310 00:54:15,211 --> 00:54:18,548 for which he was born — 311 00:54:19,049 --> 00:54:21,801 Nothing bad can happen to him 312 00:54:21,927 --> 00:54:24,971 as long as he's immersed in that atmosphere 313 00:54:25,096 --> 00:54:29,059 where he can breathe, that makes him grow. 314 00:54:35,857 --> 00:54:38,360 What's this madman saying? 315 00:54:38,944 --> 00:54:40,946 Sorry, I didn't understand. 316 00:54:41,071 --> 00:54:43,365 Your work protects you. 317 00:54:43,490 --> 00:54:47,202 It doesn't help you participate in the world. 318 00:54:47,327 --> 00:54:49,454 In a way it does, 319 00:54:49,579 --> 00:54:52,958 because the only authentic way I can participate 320 00:54:53,083 --> 00:54:56,795 in what you call the world is my work. 321 00:54:56,962 --> 00:54:59,547 It forces me 322 00:55:00,256 --> 00:55:04,094 to relate to people, 323 00:55:04,219 --> 00:55:06,429 to go do research. 324 00:55:06,554 --> 00:55:10,100 My work is my only authentic way 325 00:55:10,225 --> 00:55:12,310 of relating to everyone, 326 00:55:12,477 --> 00:55:15,313 of relating to myself and expressing myself, 327 00:55:15,480 --> 00:55:18,441 of finding sustenance by engaging with others, 328 00:55:18,566 --> 00:55:20,986 and constantly relating — 329 00:55:21,111 --> 00:55:24,197 story by story and film by film — 330 00:55:24,656 --> 00:55:30,829 to the objective world outside myself. 331 00:55:33,081 --> 00:55:36,584 So no, I don't think so. 332 00:55:36,876 --> 00:55:40,046 I think it's actually very healthy. 333 00:55:40,171 --> 00:55:42,674 And I have some very simple proof: 334 00:55:43,091 --> 00:55:47,554 Within the confines of what I do... 335 00:55:50,724 --> 00:55:54,352 when I feel fulfilled in my work, I feel better, 336 00:55:54,477 --> 00:55:56,563 including physically. 337 00:56:02,694 --> 00:56:07,365 Why? Do you think exposing yourself 338 00:56:07,532 --> 00:56:10,869 to all the perils, magnetic charges, 339 00:56:11,036 --> 00:56:15,457 tensions, contradictions, and pitfalls of a fanciful world 340 00:56:15,582 --> 00:56:18,209 is much less dangerous 341 00:56:18,334 --> 00:56:21,337 than exposing yourself to contacts with the world? 342 00:56:27,886 --> 00:56:31,765 - He's always around, eh? - Always right there. 343 00:56:31,890 --> 00:56:33,516 Just inches away. 344 00:56:37,771 --> 00:56:39,981 For me, Fellini is a friend. 345 00:56:41,900 --> 00:56:46,237 He needs protection, help, love. 346 00:56:46,362 --> 00:56:48,448 He doesn't know exactly how to live. 347 00:56:48,573 --> 00:56:50,909 I think he's scared of God. 348 00:56:51,034 --> 00:56:55,246 The supernatural frightens him and fascinates him. 349 00:56:55,580 --> 00:56:57,582 He's a Catholic, a believer. 350 00:56:57,749 --> 00:57:00,877 He's afraid to be alone at night. 351 00:57:03,588 --> 00:57:08,051 But the mystery of these things that are greater than us 352 00:57:08,176 --> 00:57:10,553 really unnerves him. 353 00:57:10,678 --> 00:57:13,848 He's a vulnerable child. 354 00:57:13,973 --> 00:57:16,101 It's all part of his imagination, 355 00:57:16,267 --> 00:57:18,853 his wild imagination. 356 00:57:24,109 --> 00:57:27,487 He has this thirst to know people, 357 00:57:27,612 --> 00:57:30,365 because it nourishes him. 358 00:57:30,490 --> 00:57:32,826 He's always in those trailers, 359 00:57:32,951 --> 00:57:37,247 with all those women, dancers, queers, whores — everything! 360 00:57:37,372 --> 00:57:39,916 It's fantastic! 361 00:57:40,708 --> 00:57:45,505 Sometimes he's cruel, but it's the cruelty of a child, 362 00:57:45,630 --> 00:57:48,007 because then he's immediately sorry. 363 00:57:48,133 --> 00:57:51,136 I'm very interested in this question: 364 00:57:51,261 --> 00:57:54,013 Since Satyricon talks 365 00:57:54,889 --> 00:57:58,852 about the history of mankind before Christ, 366 00:57:59,018 --> 00:58:03,731 I'm wondering what your aim is for the film. 367 00:58:03,857 --> 00:58:06,651 In the press office you'll find 368 00:58:06,776 --> 00:58:10,613 all the interviews and statements I've given. 369 00:58:10,738 --> 00:58:13,283 But I have more personal questions 370 00:58:13,408 --> 00:58:15,785 for my thesis. 371 00:58:15,952 --> 00:58:18,955 Let's talk Monday, my friend. 372 00:58:29,007 --> 00:58:31,259 He's always like that: 373 00:58:31,384 --> 00:58:33,386 the man who seduces 374 00:58:33,511 --> 00:58:36,514 and allows himself to be seduced in turn — 375 00:58:36,639 --> 00:58:38,558 but not too much. 376 00:58:39,809 --> 00:58:41,519 You con artist! 377 00:58:41,686 --> 00:58:45,523 Why can't you love?